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They were country-pop numbers, complete with a choral group singing backing vocals. Initially, Owens' singles for Capitol Records were ignored. It wasn't until a Capitol recording artist, the Farmer Boys, picked Owens' songs to record instead of Nelson's that the A&R head decided to sign the guitarist in February 1957. Several people at Capitol were trying to persuade Ken Nelson, the label's country A&R head, to sign Owens as a recording artist, but he wasn't convinced that Buck was a capable lead singer or songwriter. Impressed with Owens' music, the pair sent a demo to their record label, who immediately became interested in signing Buck. At these concerts, he attracted the attention of Johnny Bond and Joe Maphis, who were performers on Town Hall Party and signed to Columbia Records. Owens continued to play regularly in Bakersfield clubs. Owens and Howard formed Tree Publishing, BMI that year in order to publish their songs. The pair became friends and collaboraters, with Buck writing the music and Harlan writing the lyrics. Around this time, Owens met Harlan Howard, a struggling country singer/songwriter. The singles - which included the often-covered "Down on the Corner of Love" and "Sweethearts in Heaven" as well as two rockabilly sides released under the name Corky Jones - were unsuccessful, yet they attracted the attention of many country music business insiders. Owens made his first solo recordings at Talley's studio in 1956, cutting ten songs for an independent label called Pep. Occasionally, he was a session musician at the local Bakersfield studio Lu-Tal, run by Lewis Talley. Buck's exposure in Bakersfield led to some session work for Capitol Records, beginning with Tommy Collins' 1954 hit "You Better Not Do That." During all of this, Buck and Bonnie grew apart and divorced in 1953 they remained friends and shared custody of their children.īetween 19, Owens played guitar on a number of Capitol country records produced by Ken Nelson, including some by Faron Young, Tommy Sands, and Wanda Jackson. Soon, he formed his own band, the Schoolhouse Playboys, which also played the Blackboard. In Bakersfield, he became a regular performer in a number of clubs, particularly the Blackboard, where he was the lead singer and played rhythm guitar for Bill Woods & the Orange Blossom Playboys.
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By 1950, the couple had two sons.īuck and Bonnie Owens decided to leave Arizona in 1951, moving to Bakersfield, CA. When he was 19 years old, he married Bonnie Campbell, who was also a country singer. By his late teens, he had an occasional spot on a local radio station, KTYL Mesa, and was playing gigs in honky tonks and clubs around Phoenix with his friend Theryl Ray Britten.
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He dropped out of high school in ninth grade, working on the farm to help his family but also spending a significant amount of time learning how to play the guitar. Owens developed a fervent interest in music as a young child, learning to play guitar in his early teens. Owens was born in Texas, but his family moved to Mesa, AZ, when he was a child, seeking work during the Great Depression. Nevertheless, several generations of musicians - from Gram Parsons in the late '60s to Dwight Yoakam in the '80s - were influenced by his music, which wound up being one of the blueprints for modern country music. Later in his career, his musical impact was forgotten by some as he became a television personality through the country comedy show Hee Haw. In the process, he provided an edgy alternative to the string-laden country-pop that was being produced during the '60s. Owens was the first bona fide country star to emerge from Bakersfield, scoring a total of 15 consecutive number one hits in the mid-'60s. Buck Owens, along with Merle Haggard, was the leader of the Bakersfield sound, an twangy, electricified, rock-influenced interpretation of hardcore honky tonk that emerged in the '60s.